The Kochi-Muziris Biennale seeks to invoke the latent cosmopolitan spirit of the modern metropolis of Kochi and its mythical past, Muziris, to create a platform that will introduce contemporary, global visual art theory and practice to India. It will attempt to showcase and debate new Indian and international aesthetics and experiences and enable a dialogue among artists, curators, cultural practitioners and the public.
The Kochi-Muziris Biennale seeks to create a new language of cosmopolitanism and modernity that is rooted in the lived and living experience of this old trading port, which, for more than six centuries, has been a crucible of numerous communal identities. Kochi is among the few cities in India where pre-colonial traditions of cultural pluralism continue to flourish. These traditions pre-date the post-Enlightenment ideas of cultural pluralism, globalisation and multiculturalism.
They can be traced to Muziris, the ancient city that was buried under layers of mud and mythology after a massive flood in the 14 th century. The site was recently identified and is currently under excavation. It is necessary to explore and, when necessary, retrieve memories of this past, and its present, in the current global context to posit alternatives to political and cultural discourses emanating from the specific histories of Europe and America. A dialogue for a new aesthetics and politics rooted in the Indian experience, but receptive to the winds blowing in from other worlds, is possible.The Kochi-Muziris Biennale seeks to establish itself as a centre for artistic engagement in India by drawing from the rich tradition of public action and public engagement in Kerala, where Kochi is located. The emergence of Kerala as a distinct political and social project with lessons for many developing societies owes also to aesthetic interventions that have subverted notions of social and cultural hierarchies. These interventions are immanent in the numerous genres and practices of our rich tradition of arts. In a world of competing power structures, it is necessary to balance the interests and independence of artists, art institutions, and the public.It seeks to reflect the new confidence of Indian people who are slowly, but surely, building a new society that aims to be liberal, inclusive, egalitarian and democratic. The time has come to tell the story of cultural practices that are distinct to the Indian people and local traditions, practices and discourses that are shaping the idea of India. These share a lot with the artistic visions emerging from India’s neighbourhood. The Biennale also seeks to project the new energy of artistic practices in the subcontinent.It seeks to explore the hidden energies latent in India’s past and present artistic traditions and invent a new language of coexistence and cosmopolitanism that celebrates the multiple identities people live with. The dialogue will be with, within, and across identities fostered by language, religion and other ideologies. The Biennale seeks to resist and interrogate representations of cosmopolitanism and modernity that thrive by subsuming differences through co-option and coercion.The Kochi-Muziris Biennale seeks to be a project in appreciation of, and education about, artistic expression and its relationship with society. It seeks to be a new space and a fresh voice that protects and projects the autonomy of the artist and her pursuit to constantly reinvent the world we live in.
KEKAO x PEPPER HOUSE presents
HEATWAVE
Communities of Choice Panel Discussion Panel2: Co-existence: Navigating multiplicity in communities - with Gareth Owen, Huw Alden Davies, Kashish Kochhar, Rishi Kochhar, Susan Matthews and Tessa Holly, moderated by Mitul Kajaria.
Invitations Programme: Communities of Choice - Artist Led Tours
Let's Talk!
Program: Learning from the Earth - A Talk with Johannes M. Hedinger
Artists’ Cinema: Everything is Cinema
by Don Palathara followed by Let’s Talk
program with the director
Malayalam Cinema -
A Kaleldscope: Normal
by Pratheesh Prasad
Malayalam Cinema -
A Kaleldscope: Woman With A Movie
Camera by Atal Krishnan
Malayalam Cinema -
A Kaleldscope: Chavittu (Stomp)
by Sajas Rahman and Shinos Rahman
Malayalam Cinema -
A Kaleldscope: Prappeda (Hawk’s Muffin)
by Krishnendu Kalesh
Malayalam Cinema -
A Kaleldscope: Uddharani (Allusion)
by Vignesh P Sasidharan
Malayalam Cinema -
A Kaleldscope: Nishiddho (Forbidden)
by Tara Ramanujan
Opening of Malayalam Cinema: A Kaleidscope curated by Shri Ranjith, Chairman of Kerala State Chalachitra Academy
Communities of Choice: The People’s Voice is Louder - Short Film Screening and Panel Discussion - Lojithan Ram, Nayanahari Abeynayake, Pirainila Krishnarajah and Riyal Riffai in conversation with Dr. Katharina Görgen, Director Goethe Institute Chennai/MMB
Communities of ChoicePanel Discussion Panel 1: Belonging and Identity: CommunityNarratives - withDipanwita Sharma, Palani Kumar, Paribartana Mohanty, (Sebastian Bustamanteand Tarun Bhartiya willjoin online) moderatedby Shuchi Kapoor
National Seminar on ‘Malayalam Cinema at Crossroads: Paradigm Shifts and Cultural Turns’ with Kerala State Chalachitra Academy’ with Anna M M Vetticad, Rajesh Rajamani and C S Venkiteswaran, moderated by Rajesh James
Artists’ Cinema: Dreaming of Words
by Nandan
Artists’ Cinema: Beginning of Anything
by Maxime Fauconnier
Music of Muziris: Performance
by Nimisha Salim
Launch of ‘Rasikapriya’, Anti Dowry
Campaign followed by panel discussion
DIFF On the Road @KMB:
Navalny by Daniel Roher
DIFF On the Road @KMB:
A night of knowing nothing
by Payal Kapadia
DIFF On the Road @KMB:
The Act of Killing Director’s Cut by
Joshua Oppenheimer, Christine Cynn & Anonymous
DIFF on the Road @KMB:
Cameraperson by Kirsten Johnson
DIFF on the Road @KMB:
Writing with Fire by Rintu Thomas &
Sushmit Ghosh
DIFF on the Road @KMB: The Earth is
Blue as an Orange by Iryna Tsilyk
Giraffe Humming by the AfroAsia
Ensemble featuring Sumangala
Damodaran, Tlale Makhene, Pritam Ghosal,
Ahsan Ali, Siti Amina, Sazi Dlamini,
Brydon Bolton, Selamawit Aragaw,
and Reza Khota
Curators: Abhishek Nilamber & Rajesh James
Curators: Abhishek Nilamber & Rajesh James
Curators: Abhishek Nilamber & Rajesh James
Curated by Abhishek Nilamber & Rajesh James
Queering screen and co-immunities by Gargi Harithakam
Curator: Tribe Mama Marykali
Tribe Mama Marykali uses music to celebrate her ethnicity, femininity, and culture. Her performances are a powerful, sonically genre-blending experience that is backed by a brilliant team of musicians -
Sreekanth Bhasi on the bass
Tapas Naresh on drums
R.E.T on keys n Synth
Time - 8 PM IST
Venue - TNQ KBF Pavilion at DLF Cabral Yard
Curator: Pooja Jayan
The Participants will explore different techniques to imprint with plant materials like leaves, roots, flowers, etc. in various mediums (paper, clay, fabric). This is going to be a hands-on session to connect with nature and to improve our understanding of indigenous plant varieties. Let's take a walk into the world of forms, patterns and colours of nature and get creative with these elements. The workshop will be a fun science lab experience where we create art by experimenting with pH shifting, understand the role of heat and pressure, chemical reactions happening on the surface of contact and other possibilities. Most importantly, one will understand how to document the process, learn by exchanging views and sharing feedback.
Maximum Participants: 20
15 School Students
5 Adults
Time: 10 am – 5 pm
Venue: Art Room, Cabral Yard
Curator: Pooja Jayan
The Participants will explore different techniques to imprint with plant materials like leaves, roots, flowers, etc. in various mediums (paper, clay, fabric). This is going to be a hands-on session to connect with nature and to improve our understanding of indigenous plant varieties. Let's take a walk into the world of forms, patterns and colours of nature and get creative with these elements. The workshop will be a fun science lab experience where we create art by experimenting with pH shifting, understand the role of heat and pressure, chemical reactions happening on the surface of contact and other possibilities. Most importantly, one will understand how to document the process, learn by exchanging views and sharing feedback.
Maximum Participants: 20
15 School Students
5 Adults
Time: 10 am – 5 pm
Venue: Art Room, Cabral Yard
The workshop will start with short exercises on visualizing in 3d (real life)- using everyday objects and talking about aesthetics in the 3d space. Then we will walk around Fort Kochi and find materials from the road, second hand stores and junk yards. Though the materials will be mostly metal, the participants can add other things that complement the sculpture. There will be a basic introduction to welding, where the participants will build the parts of the sculpture using the materials they have procured. The general subject of the sculptures will be about second lives and finding new meanings through these upcycled objects. This workshop will also be about making in collaboration, looking at the idea of ownership and collective creativity.
In association with Forplay Society
Time: 10 am – 5 pm
Venue: Art Room, Cabral Yard
Curator: Vivek Chockalingam (Artist and curator)
The workshop will start with short exercises on visualizing in 3d (real life)- using everyday objects and talking about aesthetics in the 3d space. Then we will walk around Fort Kochi and find materials from the road, second hand stores and junk yards. Though the materials will be mostly metal, the participants can add other things that complement the sculpture. There will be a basic introduction to welding, where the participants will build the parts of the sculpture using the materials they have procured. The general subject of the sculptures will be about second lives and finding new meanings through these upcycled objects. This workshop will also be about making in collaboration, looking at the idea of ownership and collective creativity.
In association with Forplay Society
Time: 10 am – 5 pm
Venue: Art Room, Cabral Yard
Curator: Vivek Chockalingam (Artist and curator)
The workshop will start with short exercises on visualizing in 3d (real life)- using everyday objects and talking about aesthetics in the 3d space. Then we will walk around Fort Kochi and find materials from the road, second hand stores and junk yards. Though the materials will be mostly metal, the participants can add other things that complement the sculpture. There will be a basic introduction to welding, where the participants will build the parts of the sculpture using the materials they have procured. The general subject of the sculptures will be about second lives and finding new meanings through these upcycled objects. This workshop will also be about making in collaboration, looking at the idea of ownership and collective creativity.
In association with Forplay Society
Time: 10 am – 5 pm
Venue: Art Room, Cabral Yard
Curator: Alwin Weber (Musician and Media Artist)
Soldering electronic instruments and noisemakers "CircuitCircle" - behind this synonym stands Dresden-based musician and media artist Alwin Weber. He has been offering his famous soldering workshops for more than 12 years - both regionally and internationally. Participants in the workshop use soldering techniques to create various electronic instruments and noisemakers. These small devices produce weird sounds and can be taken home. The soldering workshop is suitable for beginners as well as for advanced students. Kits and tools are available.
Number of participants: 25
Time: 9.30 AM – 5 PM
Venue: Art Room, Cabral Yard
Curator: Alwin Weber (Musician and Media Artist)
Soldering electronic instruments and noisemakers "CircuitCircle" - behind this synonym stands Dresden-based musician and media artist Alwin Weber. He has been offering his famous soldering workshops for more than 12 years - both regionally and internationally. Participants in the workshop use soldering techniques to create various electronic instruments and noisemakers. These small devices produce weird sounds and can be taken home. The soldering workshop is suitable for beginners as well as for advanced students. Kits and tools are available.
Number of participants: 25
Time: 9.30 AM – 5 PM
Venue: Art Room, Cabral Yard
Curator: Alwin Weber (Musician and Media Artist)
Soldering electronic instruments and noisemakers "CircuitCircle" - behind this synonym stands Dresden-based musician and media artist Alwin Weber. He has been offering his famous soldering workshops for more than 12 years - both regionally and internationally. Participants in the workshop use soldering techniques to create various electronic instruments and noisemakers. These small devices produce weird sounds and can be taken home. The soldering workshop is suitable for beginners as well as for advanced students. Kits and tools are available.
Number of participants: 25
Time: 9.30 AM – 5 PM
Venue: Art Room, Cabral Yard
Curator: Andreas Ullrich - Cross media artist/print maker, Germany
An artistic screen printing project, which includes the installation of a temporary screen printing workshop. The aim of the project is to use classical screen printing in combination with contemporary content for a project in public space. Textual as well as photographic models, which above all raise socio-cultural questions about social contexts and critically question them, will be exposed on screens and printed directly in public space. Overprints of poster surfaces, wall or glass surfaces, as well as specially produced canvases, wooden surfaces, etc. can be used. This kind of direct reference to the found underground transforms every public surface into an artistic starting point, inviting critical and aesthetic reflection.
Number of participants: 15
Time : 9.30 AM– 5 PM
Art Room, Cabral Yard and the neighbourhood
Curator: Andreas Ullrich - Cross media artist/print maker, Germany
An artistic screen printing project, which includes the installation of a temporary screen printing workshop. The aim of the project is to use classical screen printing in combination with contemporary content for a project in public space. Textual as well as photographic models, which above all raise socio-cultural questions about social contexts and critically question them, will be exposed on screens and printed directly in public space. Overprints of poster surfaces, wall or glass surfaces, as well as specially produced canvases, wooden surfaces, etc. can be used. This kind of direct reference to the found underground transforms every public surface into an artistic starting point, inviting critical and aesthetic reflection.
Number of participants: 15
Time : 9.30 AM– 5 PM
Art Room, Cabral Yard and the neighbourhood
Curator: Andreas Ullrich - Cross media artist/print maker, Germany
An artistic screen printing project, which includes the installation of a temporary screen printing workshop. The aim of the project is to use classical screen printing in combination with contemporary content for a project in public space. Textual as well as photographic models, which above all raise socio-cultural questions about social contexts and critically question them, will be exposed on screens and printed directly in public space. Overprints of poster surfaces, wall or glass surfaces, as well as specially produced canvases, wooden surfaces, etc. can be used. This kind of direct reference to the found underground transforms every public surface into an artistic starting point, inviting critical and aesthetic reflection.
Number of participants: 15
Time : 9.30 AM– 5 PM
Art Room, Cabral Yard and the neighbourhood
Curator: Manish Jain – Co-Founder of Shikshantar, Udaipur and Learning Societies Conference
Manish Jain is deeply committed to regenerating our diverse local knowledge systems, cultural imaginations and inter-cultural dialogue. Inspired by MK Gandhi, Rabindranath Tagore, Ivan Illich, his illiterate village grandmother, his unschooled daughter, indigenous communities and Jain spiritual philosophy, he is one of the leading planetary voices for reimagining education. He has served for the past 25 years as Chief Beaver-(ecosystems builder) of Shikshantar: The Peoples’ Institute for Rethinking Education and Development based in Udaipur, India and is co-founder of some of the most innovative educational experiments in the world - the Swaraj University, the Jail University, Complexity University, Hunnarshala, Tribal-versity, Farmversity, the Creativity Adda, the Learning Societies Unconference, the Walkouts-Walk-on network, Udaipur as a Learning City, the Families Learning Together network, Berkana Exchange. He co-launched the global Ecoversities Alliance with 400+ members in 40 countries. He is a senior advisor to the Economics of Happiness network for localisation. He and his wife Vidhi have been unschooling themselves with their 20 year old daughter, Kanku, in Udaipur, Rajasthan.
Number of Participants: Open to anyone who is interested in
Time: 5 hrs
Venue: Art Room, Cabral Yard
Curator: Manish Jain – Co-Founder of Shikshantar, Udaipur and Learning Societies Conference
Manish Jain is deeply committed to regenerating our diverse local knowledge systems, cultural imaginations and inter-cultural dialogue. Inspired by MK Gandhi, Rabindranath Tagore, Ivan Illich, his illiterate village grandmother, his unschooled daughter, indigenous communities and Jain spiritual philosophy, he is one of the leading planetary voices for reimagining education. He has served for the past 25 years as Chief Beaver-(ecosystems builder) of Shikshantar: The Peoples’ Institute for Rethinking Education and Development based in Udaipur, India and is co-founder of some of the most innovative educational experiments in the world - the Swaraj University, the Jail University, Complexity University, Hunnarshala, Tribal-versity, Farmversity, the Creativity Adda, the Learning Societies Unconference, the Walkouts-Walk-on network, Udaipur as a Learning City, the Families Learning Together network, Berkana Exchange. He co-launched the global Ecoversities Alliance with 400+ members in 40 countries. He is a senior advisor to the Economics of Happiness network for localisation. He and his wife Vidhi have been unschooling themselves with their 20 year old daughter, Kanku, in Udaipur, Rajasthan.
Number of Participants: Open to anyone who is interested in
Time: 5 hrs
Venue: Art Room, Cabral Yard
Curator: Ruchira Das (Founder, Think Arts, Kolkata)
A workshop that introduces ways in which artworks can be integrated in the curriculum to enhance the learning experience of the student. It will discuss ways of creating art-engagements for children, in different spaces, and different contexts.
Drawing largely from experiences of the participants and challenges faced by them, the workshop will focus on aspects of learning through arts experiences while looking at education in a broader sense - beyond the confines of a school / home.
Maximum participants: 30
Duration: 3 hours with a 15 minute break
Language of instruction: English
Conducted by: ThinkArts
Curator: Sunil D’Linus
Number of participants : 20 per day
Curator: Sunil D’Linus
Number of participants : 20 per day
Lakshmi Menon
A workshop to create awareness on blindness and cleanliness
Broom Making – all are welcome to be part of this collective process of broom making using midrib of coconut leaves.
Traditional games using eerkkil/midrib of coconut leaf
Number of participants: 20
Category of people All age groups
Time: 10 am – 5 pm
Venue: Art Room, Cabral Yard